World travels, art training help shape formal rooms in Broadmoor home | Polyurethane Cornices

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Hackwood Park commands majestic, uninterrupted views of the Hampshire countryside from its 260-acre demesne. At the centre of the Grade I-listed formal gardens, designed by Charles Bridgeman in the early 18th century, is Hackwood House, a Grade II*-listed mansion, originally built in the late 17th century and remodelled by Lewis Wyatt in the 19th century. Victorian periodical Ackermann’s Repository called Hackwood’s 51,681-square-foot interiors ‘spacious and magnificent, and peculiarly adapted for comfort as well as display’. Among the exquisite period details are libraries and a salon adorned with carvings by master sculptor Grinling Gibbons, and a central hall remodelled by architect John Vardy.

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Arranging all the windows into a pleasing composition was a difficult puzzle. Bill worked on it assiduously, alone in the office that he had rented in Boston, racing against a deadline to complete what he considered the most important part of the exterior. He finished on time. The experience left him uncharacteristically short-tempered, but not for long. Although a great deal of drawing lay ahead of him, he had done the hardest part. And he was excited. He was about to see something wonderful happen. He was about to see his first commissioned design turn into a house. He was about to see paper get turned into wood.

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As Judith and Jonathan talked, Bill sketched a rectangle. One long side of the house that Bill was now building faced roughly south. One of the narrow ends faced west, into trees. The other narrow end looked out on the big, open view. On the long south side he installed a lot of windows. Into the narrow east side he put a front door. He turned the house a little off the east-west axis – - 15 degrees, eventually – - so that the front door, although not directly facing the road, would open up in view of it. No one driving up from the road would miss that front door.

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