A Brooklyn Condo Crafted in Concrete | Polyurethane Cornices

Richard is the boss of Susan’s job, which is the last on which they will all work together for a long time to come. Ned is in high spirits this morning nevertheless. Discussing the Souweine job over coffee earlier, he said to Richard, "Good will at the end is worth some money. We are horrible businesspeople. But, by God, we can build a house!" They stand on stepladders now and on the top of the frame of the first-story walls – on thin, precarious perches.

Like Jim, Richard built a house for his family in Apple Valley. He did so in his spare time, on nights and weekends, and mostly by himself. By the spring of 1974 he had reached the roof. On a Sunday morning his father came over to lend a hand. They were putting up the rafters when a car pulled in. A moment later there appeared over the top of the ladder a lithe stranger with a nailbag and hammer hung from his waist. That was how Richard first met Jim, when Jim came unasked to help with the roof.

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Two inscriptions have been found on the pillar. They are mostly in Prakrit and written in the Brahmi script. According to scholar Richard Saloman, the translated text of the first and the more famous inscription reads as follows:

Judith knits. Jonathan leans a contemplative elbow on his desk. Finally Judith speaks up. "You and I,"’she says to Jonathan, "I think we should talk about it."

Guests should have places to congregate, but they also need private spots where they can find solitude. “Our side porch has beautiful natural light,” said Ms. Novogratz, who furnished it with a vintage daybed. “It’s the perfect place to cozy up and read a book.”

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It’s one that a younger Bridie could never have imagined. After studying design at Auckland’s Unitec, she was happily working at the Auckland War Memorial Museum when a chance Friday night conversation with a family friend led to a life-changing trip.

The girders span the width of the house, all thirty feet of it, and Jim had the foundation builder make pockets in the concrete wall for the ends of each girder to rest upon. The men move around the sandy ground, carrying the first floor, piece by piece, to the deep gray rectangle at the center of the pickup trucks, sawhorses, stacks of lumber, cartons of nails. Soon floor joists begin to cover the space above the cellar hole, like bars above a cage. Jim dances out onto the joists, tightrope walking. Deliberately he makes the joists wobble from side to side. The generator putts. Hammers driving sixteen-penny nails ring like high-pitched bells, deepening with every stroke. Sometimes the carpenters syncopate their hammers, but that’s by accident. When you close your eyes and listen to the men working, the voices you most often hear belong to Richard and Alex.

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